I remedied my missed weeks by going to see Lore today.
I wouldn’t have considered it previously as I’d not heard of it at all. I haven’t seen any trailers or posters for it. I was hoping to see Zero Dark Thirty but my local Picturehouse wasn’t showing it & I was beginning to feel like I wasn’t putting in enough effort with this challenge.
So, I saw Lore was on, read the blurb, watched the trailer & it looked like a good contender for a Bechdel-passing film. It wasn’t listed on bechdeltest.com though so I tried googling to see if anyone had blogged about whether it passes and accidentally learned that the film is directed & co-written by a woman. Surely, thought I, this film must pass the test. I asked Twitter and a helpful follower told me it did. Of course I couldn’t be totally confident after the Bullhead palava but seeing as there were lots of women in the trailer, a woman writer, a woman protagonist (which the film is named after) and a woman director – I felt pretty certain this film wouldn’t let me down.
It didn’t. It passes the test over & over again. Along with Beasts of the Southern Wild, this is my favourite film of 2013 so far. It really satisfied my (now increasing with this project) demand for stories about women, told by women. Having a woman protagonist (technically, a teenager here) is a real pleasure for me to watch. I especially like seeing relationships between mothers & daughters explored & the idea of women being in charge of difficult situations.
I found the film to be beautiful, detailed & fraught. I don’t know if my enjoyment of it was boosted because of it being exactly what I want from this experiment or whether I enjoyed it so much because I started this experiment to find movies exactly like this.
I probably would not have seen this film at the cinema were I not doing this project so I’m really pleased as I feel like I’m beginning to get what I was hoping for from it. It’s now March, by January 2014 I hope I have a sizeable list of films like this.
I haven’t been to the cinema since I saw Rundskop. This is due to a number of things: I’ve been a lot busier in the last two weeks, the films I wanted to see weren’t showing at convenient times/places, there weren’t many Bechdel-passing films showing.
Since my last blog we had the BAFTAs and the Oscars. We all know what a turgid misogyny-fest the Oscars was at the hands of exemplary privileged white male, Seth Macfarlane. Excellent human Lindy West wrote about this & captured the way I felt about it pretty well.
Prior to the awards I read this piece by Soraya Chemaly, discussing the absence of women in the nominee lists. And before this, as I was watching the BAFTAs, I became very aware of the terrible ratio of women to men collecting awards (in the non-gender specific categories). I actually made a spreadsheet. I counted up all the people collecting awards and I counted 34 men collecting awards to 8 women.
I don’t think this is BAFTA’s fault. Clearly fewer women work in film in the top jobs behind the camera. Why is this? And how can it be changed?
As with almost every industry in the world, it’s harder to be a woman in film making. I’ve talked a bit about this before, but I think women need to be exceptional to do well in male-dominated environments whereas many men can succeed by simply being adequate. Another issue is visibility – women are not as inspired to get into directing/writing/editing/cinematography/sound/FX when they can’t see other women doing it and doing well. I think one of the reasons there are so many aspiring female actors is because society values actresses. Acting is one of very few jobs where women are given plaudits as much as men, and are very visible doing it. Girls see this and can relate, and aspire to the same.
It’s kind of a catch-22 as more visibly successful women are needed to inspire more women to go into these areas of work who will in turn inspire other women. This is why I generally don’t have a problem with women-specific awards/festivals etc.
I’m hoping to see some films soon but there are not many Bechdel-passers coming up & there are practically none which feature primarily a story about a woman which is what I really want to see right now.